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dc.contributor.authorBrennecke, Angela
dc.contributor.authorTraber, Markus
dc.contributor.authorStimberg, Simon
dc.contributor.authorStockleben, Björn
dc.contributor.editorAlt, Florian
dc.contributor.editorSchneegass, Stefan
dc.contributor.editorHornecker, Eva
dc.date.accessioned2020-09-16T07:52:26Z
dc.date.available2020-09-16T07:52:26Z
dc.date.issued2020
dc.identifier.urihttp://dl.gi.de/handle/20.500.12116/34247
dc.description.abstractThis paper describes the work in progress of an interactive audiovisual synthesis application that explores the relationship between user interaction, image sequences and sound in the context of interactive digital arts and media productions. The application generates aesthetically pleasing audiovisual output in interactive and real-time. It is based on an analysis of visual changes in the image sequences which are mapped to musical scales. The application is intended to become an integrated and modular toolkit that supports creative professionals in exploring different combinations of image and sound representations, for instance, in the context of mood representations, artistic ideation and content creation processes. The current implementation marks an initial step into this direction.en
dc.description.urihttps://dl.acm.org/doi/10.1145/3404983.3410004en
dc.language.isoen
dc.publisherACM
dc.relation.ispartofMensch und Computer 2020 - Tagungsband
dc.relation.ispartofseriesMensch und Computer
dc.subjectvisualization
dc.subjectentertainment
dc.subjectsound computing
dc.subjectinteractive media arts
dc.titleInteractive image driven sounden
dc.typeText/Conference Paper
dc.pubPlaceNew York
mci.document.qualitydigidoc
mci.reference.pages85–89
mci.conference.sessiontitleMCI: Short Paper (Poster)
mci.conference.locationMagdeburg
mci.conference.date6.-9. September 2020
dc.identifier.doi10.1145/3404983.3410004


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