| dc.contributor.author | Lacroix, Mathieu | |
| dc.contributor.editor | Marky, Karola | |
| dc.contributor.editor | Grünefeld, Uwe | |
| dc.contributor.editor | Kosch, Thomas | |
| dc.date.accessioned | 2022-08-30T10:27:26Z | |
| dc.date.available | 2022-08-30T10:27:26Z | |
| dc.date.issued | 2022 | |
| dc.identifier.uri | http://dl.gi.de/handle/20.500.12116/39065 | |
| dc.description.abstract | In mixed music, interactivity and liveness have been buzzwords for the last 50 years. This article proposes the community to discuss more the aesthetic influences of interactivity instead of focusing on the technological aspect. By discussing compositions in a more holistic manner, this author believes that we can gain a better understanding of the affordances of interaction. | en |
| dc.language.iso | en | |
| dc.publisher | Gesellschaft für Informatik e.V. | |
| dc.relation.ispartof | Mensch und Computer 2022 - Workshopband | |
| dc.relation.ispartofseries | Mensch und Computer | |
| dc.subject | Mixed music | |
| dc.subject | live electronics | |
| dc.subject | composition | |
| dc.title | Art Music Composers & Interaction | en |
| dc.type | Text/Conference Poster | |
| dc.pubPlace | Bonn | |
| mci.document.quality | digidoc | |
| mci.conference.sessiontitle | MCI-WS03: 8. Workshop Innovative Computerbasierte Musikinterfaces (ICMI) | |
| mci.conference.location | Darmstadt | |
| mci.conference.date | 4.-7. September 2022 | |
| dc.identifier.doi | 10.18420/muc2022-mci-ws03-342 | |
