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dc.contributor.authorLiau, Mei-Fang
dc.contributor.authorDiethl, Jonathan
dc.contributor.authorBorchers, Jan
dc.contributor.editorLucke, Ulrikede_DE
dc.contributor.editorKindsmüller, Martin Christofde_DE
dc.contributor.editorFischer, Stefande_DE
dc.contributor.editorHerczeg, Michaelde_DE
dc.contributor.editorSeehusen, Silkede_DE
dc.date.accessioned2017-11-22T14:42:44Z
dc.date.available2017-11-22T14:42:44Z
dc.date.issued2008
dc.identifier.isbn978-3-8325-2007-6en_US
dc.identifier.urihttp://dl.gi.de/handle/20.500.12116/7047
dc.description.abstractWhen moving the activity of composing music to the desktop, one of the common issues is that the interface doesn’t suggest an appropriate workflow, which would lead the user to structure up the work systematically. In conventional interfaces, musical elements are scattered over the sequencers and are thus visually unperceivable by the user. The semantics of music can be employed to put the elements in a coherent order, which would better assist the user at maintaining the intricate materials. Stepping further into the rhythmic part of music, this thesis will demonstrate a disk-based interface that helps the user create patterns easier.de_DE
dc.language.isoende_DE
dc.publisherLogos Verlagde_DE
dc.relation.ispartofWorkshop Proceedings der Tagungen Mensch & Computer 2008, DeLFI 2008 und Cognitive Design 2008de_DE
dc.titleDISCO: Disk-based Interface for Semantic Compositionde_DE
dc.typeworkshopde_DE
dc.pubPlaceBerlinde_DE
mci.document.qualitydigidocde_DE
mci.reference.pages106-109de_DE
mci.conference.sessiontitleInnovative Computerbasierte Musikinterfacesde_DE


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