| dc.contributor.author | Gupfinger, Reinhard | |
| dc.contributor.editor | Kain, Saskia | de_DE |
| dc.contributor.editor | Struve, Doreen | de_DE |
| dc.contributor.editor | Wandke, Hartmut | de_DE |
| dc.date.accessioned | 2017-11-22T14:45:09Z | |
| dc.date.available | 2017-11-22T14:45:09Z | |
| dc.date.issued | 2009 | |
| dc.identifier.isbn | 978-3-8325-2181-3 | en_US |
| dc.identifier.uri | http://dl.gi.de/handle/20.500.12116/7144 | |
| dc.description.abstract | Designing interactive instruments for audiences in sound
installations can be quite challenging. The instruments have to be simple
and should offer highest creative freedom. This article introduces an
interactive sound instrument that follows playful strategies of interaction
with sound environments and generating new sound experience for
everybody. | de_DE |
| dc.language.iso | en | de_DE |
| dc.publisher | Logos Verlag | de_DE |
| dc.relation.ispartof | Workshop-Proceedings der Tagung Mensch & Computer 2009 | de_DE |
| dc.title | O-TONE: Interactive Sound Experience for Audiences in Sound Installations | de_DE |
| dc.type | workshop | de_DE |
| dc.pubPlace | Berlin | de_DE |
| mci.document.quality | digidoc | de_DE |
| mci.reference.pages | 189-190 | de_DE |
| mci.conference.sessiontitle | Innovative Computerbasierte Musikinterfaces (ICMI) | de_DE |
